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© 2019 Michel Tombroff. All rights reserved

THE AXIOM OF CHOICE

The Continuum Hypothesis (2019)

Meat mincer

51 x 44 x 26 cm

Sectio Aurea (2018)

Wooden panels, wooden sticks, acrylic paint

Each panel 124 x 82 x 5 cm

Two (2018)

Wooden cube, wooden sticks, acrylic paint

80 x 50 x 50 cm

The Discovery of Forcing (2019)

Metal shelves, bubble level, book (Set theory

and the continuum hypothesis, P. Cohen)

178 x 90 x 30 cm

Le nom propre de l'être (2019)

Pray God, neon, book (L'être et l'événement, A. Badiou)

Variable dimensions

e (2017)

Wooden panels, wooden sticks, balsa, acrylic paint

Each panel 124 x 82 x 5 cm

Futur antérieur (2019)

Tables, sand, nylon bags

Variable dimensions

Stations of the Primes (VIII to XIV) (2019)

14 wooden panels, lacquer paint, balsa wood

Each panel 117 x 83 x 3 cm

The Fixed Point (2019)

Steel plate, chalk

216 x 70 x 1 cm

Moduli (2019)

Wooden panels, wooden sticks, acrylic paint and sewing rod

Each panel 96 x 62 x 5 cm

Forcing (2019)

Five plexiglass panels

Each panel 60 x 60 x 1 cm

Photo by Pieter Huybrechts

Photo by Pieter Huybrechts

Photo by Pieter Huybrechts

Photo by Pieter Huybrechts

Photo by Pieter Huybrechts

Photo by Pieter Huybrechts

Photo by Pieter Huybrechts

Photo by Pieter Huybrechts

Photo by Pieter Huybrechts

Photo by Pieter Huybrechts

Photo by Pieter Huybrechts

In Praise of Love (2019)

Neon installation

16 x 70 cm and 16 x 90 cm

The Continuum Hypothesis (2019)

Meat mincer

51 x 44 x 26 cm

Optimal Stopping (2019)

Typewriter, ink, paper

Variable dimensions

Nh5 (I & II) (2017)

Wooden panels, wooden sticks, colored paper, sewing rod

Each panel 90 x 90 cm